Over the spanning nearly four centuries, the transatlantic slave trade resulted in 12.5 million Africans trafficked from their homelands to the Americas. A staggering 1.8 million of those individuals perished during the Middle Passage, enduring scarcely imaginable conditions of overcrowding, filth, and illness. Some chose to end their suffering by leaping overboard, while others were callously thrown into the sea.
In The Zorg, author Siddharth Kara weaves together two parallel narratives. The first details a harrowing incident aboard the eponymous slave ship—the deliberate murder of 132 enslaved Africans by its British crew. The second story examines how this event played a pivotal role in the abolition of the Atlantic slave trade in 1807, driven in large part by the relentless efforts of a dazzling array of committed campaigners. Among them was Olaudah Equiano, who authored one of the few surviving first-person narratives of the Middle Passage, describing it as “a scene of horror almost inconceivable”.
The account originates in Liverpool, a port city that at the peak of its prosperity was accountable for 40% of Europe's slave trade. Investing in slavery was a highly profitable venture for everyone from the wealthy but also the working classes. One such investor, William Gregson, accumulated his earnings from his trade, ploughed them into the slave trade, and rose to become a prominent citizen and later mayor. Gregson financed the slave ship The William, which set sail from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its cargo was filled with trade goods like tobacco, firearms, knives, and various “India goods” such as chintz and cowrie shells—the latter being a standard rate in the purchase of human beings.
Around the same time, a Dutch slave vessel named the Zorg (later anglicized by the British as the Zong) had departed the Netherlands. With Britain at war with the Dutch in late 1780, the Royal Navy gave British ships permission to seize Dutch ships at sea—a virtual sanctioning of piracy. The Zorg was soon taken by a British captain and held off the Gold Coast. Meanwhile, Captain Hanley, during one of his voyages, picked up a fleeing British governor named Robert Stubbs, who had been expelled for corruption.
When Hanley arrived at Cape Coast Castle—a fortress with a vast holding cell beneath it—he assumed control of the captured Zorg. He proceeded to severely overcrowd it with captives, put a dozen of his own crew on board, and made Luke Collingwood, a ship's surgeon of questionable seamanship, its captain. In August 1781, the Zorg left Accra carrying 442 captives, 17 crew members, and one depraved passenger: the former governor, Robert Stubbs.
Kara is particularly skilled at using contemporaneous sources to bring to life the general hell of being transported on a slave ship.
The Zorg's journey was plagued with calamity. "The flux" ravaged the vessel, and then scurvy. The captain fell ill, became delirious, and handed command over to Stubbs. Thus, “a ship full of decay and death was being commanded by a passenger.” Kara masterfully utilizes eyewitness accounts to illustrate of the sheer horror. The graphic testimony of Alexander Falconbridge, a doctor who became an activist, details how the enslaved people's skin was frequently rubbed raw to the bone from lying on bare wood, their flesh pinched and torn between the planks.
By late November 1781, the Zorg was still miles from Jamaica and critically short on water. The crew resolved to throw overboard a number of the enslaved Africans, who had already suffered through months of appalling conditions below deck. This monstrous act was not motivated by preserving life—the Africans had begged to be allowed to live, even without water rations—but by cold economic greed. Ship insurance policies did not cover losses from disease, but they did cover cargo discarded out of “necessity” for the ship's safety. Over several days, the crew drowned “those Africans who would be worth less at auction”—the weak, the sick, including women and children, even a baby born during the voyage.
Back in Liverpool, investor William Gregson was unhappy about the financial return on his investment. He submitted an insurance claim for £30 per drowned captive—a substantial sum in today's money. The insurers declined to pay. In March 1783, Gregson took them to court and was awarded a trial by jury, with his lawyers arguing that throwing the enslaved people overboard had been “necessary.”
According to Kara, “there is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.” Just twelve days after the trial, an published essay appeared in a prominent English newspaper. The author, who claimed to have been present the court proceedings, made a powerful case against slavery, citing the Zorg case as a prime example of its inherent evil. Olaudah Equiano saw the letter and brought it to the abolitionist Granville Sharp, who petitioned for a new trial. At the subsequent hearing, the events on the Zorg were reviewed in forensic detail, exactly what the abolitionists had wanted.
In the spring of 1787, the initial group of the Society for Effecting the Abolition of the Slave Trade first met. Over the following years, they petitioned, orated, organized campaigns, and meticulously documented the particulars of the slave trade. “Their efforts,” Kara writes, “would lay a blueprint for the pursuit of social justice.” After years of struggles, the Act for the Abolition of the Slave Trade was finally passed in 1807.
The question of who or what deserves credit for abolition remains contentious. The Zorg's influence, however, is visibly evident in J.M.W. Turner's famous painting, The Slave Ship, which was inspired by the events of 1781. While slavery has been widespread in human history, its abolition following a prolonged public movement was unprecedented, serving as an affirmation to the power of moral courage, the pen, and unwavering persistence.
Unlike his previous books—such as the Pulitzer finalist Cobalt Red—Kara has had to fill in certain lacunae in the historical record. Consequently, speculative passages sit awkwardly next to rigorously researched accounts, giving the book a somewhat chimeric feel. A blend of narrative suspense and part serious nonfiction, The Zorg ultimately succeeds in illuminating one of history's darkest chapters, using powerful storytelling and meticulous research to create a portrait that stays with the reader long after the final page.
A seasoned political analyst with over a decade of experience covering UK governance and legislative trends.
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Donald Webb
Donald Webb